It will take some time to absorb everything Beyonce put into her sixth studio album – a dozen songs and a 60 minute film that is more than just an advertisement for the music, but an essential companion that provides context and deepens understanding. .
But it is already evident that “Lemonade” is the artist’s most accomplished and cohesive work to date, and this is not intended to underestimate the impact of a discography that has produced landmark singles. such as “Single Ladies” and “Irreplaceable”.
“Lemonade” is more than just a play for pop supremacy. It is the work of an artist who tries to get to know herself better, for better or for worse, and to let listeners / spectators participate in a sometimes brutal self-questioning.
Gossip hovers over what information “Lemonade” may or may not provide about Beyonce’s marriage turmoil to Jay Z, but that would sell short. There is a painful break in its center, but it offers a broader view of the family.
None of this would matter if the music consisted of pre-made songs prepared by the usual A-List producers, but Beyonce spends most of the album breaking the cookie cutter.
âLemonadeâ was clearly intended as a complete work, and Beyonce’s unifying vision for what could have been a beautifully wrapped mishmash should not be dismissed.
What she says – confusing her past and her family with her ambition as a young African-American woman with as yet unfulfilled dreams – comes through in this grater doesn’t mess with me. It’s BeyoncÃ© without makeup or the Cleopatra pose saying, “How do you love me now?” “